Publications

Books and edited journal issues:

Women and the Public Sphere in Modern and Contemporary Italy. Essays for Sharon Wood, ed. with Marina Spunta and Maria Morelli (Leicester: Troubador, 2017).

Visualizzare la Guerra. L'iconografia del conflitto e l'Italia, ed. with Giuliana Pieri and Maria Giuseppina Di Monte (Milan: Mimesis, 2016).

The Great War and the Modernist Imagination in Italy, ed. with Luca Somigli, Annali d'Italianistica, 33 (2015).

Ed., Beyond the Piazza. Public and Private Spaces in Modern Italian Culture (Bruxelles: Peter Lang, 2013).

Back to the Futurists: The avant-garde and its legacy, ed. with Elza Adamowicz (Manchester: MUP, 2013).

Ed., Private and Public Spaces in Italian Culture, themed issue of Italian Studies, vol. 62 (2), 2007.

Valori Plastici 1918-1922. Le inquietudini del nuovo classico (monographic supplement to The Italianist), 2006.

Da Calvino agli ipertesti. Prospettive della postmodernità nella letteratura italiana, ed. with Laura Rorato, (Firenze: Cesati,  2002).

Journal articles and book chapters:

'Introduction. Women and the Public Sphere in Italy from the Unification to the 21st Century' (with M. Spunta and M. Morelli), in Women and the Public Sphere in Modern and Contemporary Italy. Essays for Sharon Wood, ed. with Marina Spunta and Maria Morelli (Leicester: Troubador, 2017), pp. XIII-XXV.

'Margherita Sarfatti's Journalism: Modernism, the Arts and the Public Sphere in Fascist Italy', in Women and the Public Sphere in Modern and Contemporary Italy. Essays for Sharon Wood, ed. with Marina Spunta and Maria Morelli (Leicester: Troubador, 2017), pp. 27-40.

'Latinita', modernita' e fascismo nei dibattiti artistici degli anni Venti', Cahiers de la Mediterranee, 95 (2017), 71-83.

'Guai ai vinti. From Novel to Film' (with S. Gundle), in Annie Chartres Vivanti. Transnational Politics, Identity and Culture, ed. by S. Wood and E. Moretti (Madison: Fairleigh Dickinson University Press, 2016), pp. 261-76.

'Introduction. The Great War and the Modernist Imagination in Italy' (with L. Somigli), Annali d'Italianistica 3 3 (2015), 17-30.

'Ardengo Soffici's Rete mediterranea: The Aesthetics and Politics of Post-War Modernism', Annali d'Italianistica 33 (2015), 321-40.

'Beyond Memory: Italy and the Holocaust. Interview with Robert Gordon', Testimony. Between History and Memory, 120.1 (2015), 142-49.

'Au-delà de la mémoire: l'Italie et L'Holocauste. Entrevue avec Robert Gordon', Trace de mémoire: pedagogie at transmission, n. 10 (2013), 4-10.

'Bontempelli, Pirandello e il narratore nell'epoca della riproducibilità tecnica', in Finzioni & Finzioni. Illusione e affabulazione in Pirandello e nel modernismo europeo, ed. by B. Van den Bossche, M. Jansen and N. Dupré (Florence: Cesati, 2013), pp. 43-48.

'Introduction' (with E. Adamowicz), in Back to the Futurists: The avant-garde and its legacy, ed. by E. Adamowicz and S. Storchi (Manchester: MUP, 2013), pp. 1-13.

'Margherita Sarfatti and Il popolo d'Italia: National Classicism between Tradition and Modernity', The Modern Language Review, 108.4 (2013), 1135-1155.

‘Margherita Sarfatti and the Invention of the Duce’, in C. Duggan, S.Gundle, G. Pieri (eds), The Cult of the Duce. Mussolini and the Italians (Manchester: MUP, 2013), pp. 41-56.

‘Mussolini as Monument: The Equestrian statue of the Duce at the Littoriale Stadium in Bologna' in C. Duggan, S. Gundle, G. Pieri (eds), The Cult of the Duce. Mussolini and the Italians (Manchester: MUP, 2013), pp. 193-208.

'Introduction. Piazzas and Beyond: Public and Private Spaces in Modern Italian Culture', in Beyond the Piazza. Public and Private Spaces in Modern Italian Culture (Bruxelles: Peter Lang, 2013), pp. 9-20.

'La casa all'italiana: Domus and the Ideology of the Domestic Interior in 1930s Italy', in Beyond the Piazza. Public and Private Spaces in Modern Italian Culture (Bruxelles: Peter Lang, 2013), pp. 57-75.

'Bontempelli, "Quadrante" e il fronte unico dell'estetica', Bollettino 900, 1-2 (2012), http://www3.unibo.it/boll900/numeri/2012-i/

‘Art Against Dictatorship. From Unrest to Resistance’ (with G. Pieri), in C. Duggan, S. Gundle, G. Pieri and S. Storchi, Against Mussolini. Art and the Fall of a Dictator (London: Estorick Publications, 2010), pp. 36-43.

‘Massimo Bontempelli between De Chirico and Nietzsche: Mannequins, Marionettes and the De-Humanized Subject in La scacchiera davanti allo specchio and Eva ultima’, Romance Studies, 27.4 (2009), 298-310.

‘Massimo Bontempelli e Quadrante: architettura e letteratura’, Transalpina, 11 (2008), 163-178.

‘Bontempelli on Pirandello: Defining Literary Modernity in the 1930s’, Pirandello Studies, 28 (2008), 124-139.

Il fascismo è una casa di vetro: Giuseppe Terragni and the Politics of Space in Fascist Italy’, Italian Studies 62.2 (2007), 231-245.

‘La “memoria di carta” di Umberto Eco. Dialettiche del ricordo e dell’oblio in La misteriosa fiamma della regina Loana’ in S. Gola e L. Rorato, eds, La forma del passato (Bruxelles: Peter Lang, 2007), pp. 57-71.

‘Realism beyond Mimesis: Massimo Bontempelli’s Novecentismo’, Spunti e Ricerche, 19 (2006), 107-121.

‘Città versus City. The globalized habitat of Alessandro Baricco’ (with L. Rorato), Romance Studies, 22 (2004), 251-262.

‘“Sogni di Sogni” di Antonio Tabucchi : strategie della metanarrazione fra tradizione e postmoderno’, in L. Rorato and S. Storchi, eds, Da Calvino agli ipertesti. Prospettive della postmodernità nella letteratura italiana (Firenze: Cesati,  2002), pp. 157-167.

‘Conquering the City : the representation of Milan in Massimo Bontempelli’s La vita operosa’, ‘Modern Italy’, 7, 2 (2002), 189-199.

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