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LeCTIS Seminar Series 2018/19
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Leicester Centre for Translation and Interpreting Studies (LeCTIS) are pleased to introduce their Autumn Seminar Series sessions for 2018/19.
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LeCTIS Seminar Series 2018/19: Chinese Fansubbers - What Makes Them Survive So Far?
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11 October 2018 - A study on the genre and style analysis of Chinese fansubbing translation, how it is different from professional translations and exploration of whether Chinese fansubbers have created their particular translation style.
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LeCTIS Seminar Series 2018/19: 'Translating with a capital T'
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18 October 2018 - What does it mean to be a Translator with a capital T, and how many ways are there of being a translator?
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Colonial Countryside conference
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On Friday 16 November 2018, approximately 100 children from across the UK will participate in a child-led writing and history project about the National Trust houses’ Caribbean and East India Company connections.
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School of Arts Seminar Series: Interdisciplinary Connections: Explorations in Research Methods (Autumn)
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This year's series continues with a new collection of short, one-hour lunchtime sessions for the Autumn term, exploring interdisciplinary possibilities.
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Interdisciplinary Connections seminar series (Autumn): Women Directors in Hollywood from the 1980s
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28 November 2018 - This lecture will offer an introduction to the careers and films of Hollywood’s most profitable female directors – asking that we take seriously the work of women in the mainstream.
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History of Art and Film Seminar Series 2018/19 (Autumn)
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Presenting a year-long programme of four sessions per semester, and interleaving studies of art and film, this series seeks to foster interdisciplinary collaboration within and beyond the department of History of Art and Film.
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History of Art and Film Seminar Series: Irena Blühová’s ‘A School for Becoming Human’
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5 December 2018 - Dr Julia Secklehner examines the photographs of Irena Blühová. An experienced photojournalist and active Communist, Blühová attended the Bauhaus in 1931. Secklehner’s new approach consists in re-uniting the oft-seperated documentary and modernist tendencies in her work.
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History of Art and Film Seminar Series: Mexican man-eaters and American anthropophagi
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14 November 2018 - Dr Marc Ripley compares Mexican and US foundation myths as they feature in Jorge Michel Grau’s Somos lo que hay (2010), and it's US adaptation We Are What We Are by Kim Mickle (2013).
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History of Art and Film Seminar Series: Challenging gender norms in contemporary Colombian cinema: An examination of female representation in post-2003 films
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14 November 2018
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