The editors of English: the Journal of the English Association are very pleased to initiate in 2017 the opening of an annual essay competition exclusive to postgraduates.
Salary Grade 8: £41,709 to £46,924 per annum
Permanent position, available from November 2017, subject to a 5-year review.
In this role you will lead and develop the business operations of the English Association, which spans one of the broadest subject areas in the UK. You will be responsible for the management and oversight of the English Association’s activities as both a subject association and a learned society. This includes the organization and delivery of an annual events programme that promotes English as a subject across the sectors that align with the Association’s mission: primary, secondary and higher education.
With a relevant degree or professional qualification, you will have substantial experience in a relevant sector or charity. In addition to people, project and financial management experience at a senior level, you will have excellent communication skills and an ability to develop an effective marketing strategy. We are looking for candidates who are able to lead and motivate a team in a busy environment but who are also able to represent the Association effectively on broad educational and policy issues.
Informal enquiries are welcome and should be made to the Chair of the English Association, Professor Martin Halliwell on email@example.com
The closing date for this post is midnight on 31 March 2017.
The newest in our Bookmarks series concentrates on six animal poems by D.H. Lawrence. Peter Cash writes:
D. H. Lawrence wrote enough prose – both creative and critical – for us to know that he was nothing if not intellectually challenging: in writing verse without regard for the conventional controls of rhyme and metre, he knew that he was inviting critical opprobrium and scorn ... In many places, his verse deserves it, for there can be a tedium about his re-statements ‘of image and idea’, not least where his lines are unjustifiably wayward: either too short to repay attention or too long ever to grab hold of it. This Bookmark concentrates on six poems in which his language lifts its subject-matter to fresh heights and his line-length is expressive: in these cases, if not in others, his achievement is considerable and lasting. In his finest pieces, Lawrence brings to his descriptions of creatures a new way of writing that complements their graces and respects their idiosyncrasies. Although his line-lengths are erratic, he is never without a verbal plan: he is a resourceful recycler of metonyms, makes an art of the strategic deployment of adjectives and imports from his own prose a functional use of rhythm.